Today’s painting – the largest version of Harris Moon at 36×36 inches (3 by 3 feet) on wood.
Exactly one week now to exhibition! All details here Moonscapes: Isle of Harris
I took photos of some of the stages of painting…
Today’s paintings of Harris, both need a bit more work which I’ll finish tomorrow. This version of Luskentir is very similar to Lustentir 2 though this is 16×16″ – practice for a larger one at 30×30 inches.
Postcards for the upcoming exhibition on July 14th arrived today (below). If you’d like to come along you can keep up with details on this Facebook exhibition event page at this link ‘Isle of Harris’
Tomorrow I begin a new series of paintings inspired by the Isle of Harris in the Outer Hebrides.
It was wonderful to stay there longer this time. In September last year I travelled around the Hebrides (Lewis, Harris and Skye) with poet Louise Palfreyman, which was more of a research trip, resulting in a series of paintings and a short video featuring the poetry of Ian Stephen and Louise Palfreyman (you can view the paintings from the ‘Gallery’ page above, just scroll down to ‘Hebrides, Sea, Space and Sky’, and the video is on this link Here )
This time we (me and my friend Donald Ferguson) stayed in a yurt at Lickisto Blackhouse again, a campsite run by John Furniss who’s been developing the site for many years now, very organically and creatively, for want of better terms! I found it quite magical discovering more of the garden on our first night, under a moon so bright it was dazzling.
John’s aproach is to enhance what’s already there, using found materials and being true to the land and its history. For example he cleared and revealed the ‘lazy beds’ – patches of ground surrounded by small drainage chanels, which date back thousands of years and were created by farmers dealing with the wet conditions and rocky ground of the islands. He also restored and thatched the remains of ancient crofts, having learned the skill from one of the UK’s last traditional thatching experts. The paths wind and meander through the site, following natural contours, leaving the flora untouched. Here and there are windbreaks developed from saplings of indiginous trees. No acres of gravel, no twee, no annoying signposts!
The east coast of Harris is completely different from the west – small rocky bays and the remains of crofts and piers from a time when fishing was the main source of income. The west of the island was always more popular as a place to dwell though, with fertile soil on the area of land islanders in the west of Scotland traditionally call the Machair. It’s also where tourists often head first, to the incredible Luskentyre beach …
The intensity of colour at Luskentyre really was quite incredible, my eyes were practically on stalks, unable to quite take in that such luminous greens and blues exist in nature! More intense even than my photos above can capture. I’ve known several people who’ve never visited the west coast of Scotland say things like ‘have you used a filter on that photo?’ or when looking at one of my paintings ‘are the mountains really that pointy?’ No and yes, respectively!
But as an artist, it was the east coast I found fascinating – the odd colours and shapes of glacially worn ancient rock (Lewisian gneiss) and plain buildings set against the backdrop of shimmering sea, and the strange atmosphere which to me somehow brings Hithcock films and Bjork videos to mind at the same time!
Also on this side of the island you get the sense of how tough crofting life must have been back then, as it is even now which makes John’s landscaping and croft-mending at Lickisto all the more inspiring and impressive, it’s hard work and I hope he continues into the future.
I was reminded of the way the artist Ian Hamilton Finlay, with his wife Sue, gradually developed ‘Little Sparta’ at Stonypath in Dunsyre, Lanarkshire, on barren moorland. At first small, quirky and domestic in scale, but gradually becoming more epic as decades passed. It’s now classed as one of Europe’s most unique and impressive works of art; combining landscape, philosophy, literature and art. (These links show the garden and give info on Finlay’s life as an artist – Little Sparta Little Sparta and Ian Hamilton Finlay )
Finlay clearly had more obvious artistic ambitions, but I see the parallel with John’s creation at Lickisto in the sense of authenticity – the way a landscape is developed and nurtured; not as a show-piece to impress, but more an outpouring of imagination and sensitivity to the landscape.
I’ll be exhibiting my new series of paintings of Harris in July this year at the Whitespace Gallery (which has now moved to East Cross Causeway in Edinburgh’s Southside, website Here). As a new development I’ll also create a series of aquatint etchings, I haven’t atempted etching since art college days so I’m quite excited about how those will turn out!
Lastly, some photos of sundown and moonlight on Harris …
A couple more small paintings today for the series, which I’m adding to an upcoming sale (feel free to email if you’d like details).
The video about our Lewis and Harris trip with paintings and poetry is delayed somewhat but should be edited by the end of this week, then Louise and I will send off our application for An Lanntair in Stornaway.
Whether or not that’s successful we’ll be putting on an exhibition this summer in Edinburgh at Whitespace in Howe Street, for which I’ll create a series of larger paintings based on these recent experiments.
Here they are so far..
I’ll continue this series of blog posts under the general title of ‘Hebrides – day 6’ etc, until we decide on a title for our project (a collaboration between myself, poet Louise Palfreyman and cellist/compser Atzi Muramatsu).
It’s in early stages at the moment, but we hope to raise funds for a longer stay in the Hebrides, on Lewis and Harris particularly.
Louise and I will continue to work closely, sharing ideas as we develop paintings and poems began on our journey, which we’ll blog and share every week or so with a round up of the work produced as we go.
Today I’ve been sifting through the hundreds of photos, sketches and videos from our journey. Looking through photos of Harris confirms what we felt while staying there – it’s a magical place (which I managed to blog about despite the frustrating on/off internet connection! Link to post Here)
I described it as ‘Marshwiggle territory’ which may have flummoxed those unfamiliar with the Narnia Chronicles, for whom I include this excellent illustration on the right, by Pauline Baynes.
More photos of Harris..
I’ll also be editing a video this week which will hopefully capture the magic and inspiration of our trip, also our paintings, poems and music.
As mentioned in my blog post about Lewis and Harris, we met with poet Ian Stephen in Stornaway last week. One of the poems he recited for us came to mind today while I thought of the silvery moonscape vistas of Harris, with red berries of rowan trees growing alongside its sea lochs.
Ian’s poem echoes the gentleness we felt there, the sense that you can open heart and imagination to the atmosphere…
Should we plant a rowan here
at the sea-loch side?
in this day
when leaves mould
and stars die
A hawthorn for healing,
spur and leaf balm.
the pair of us
and for us all.