Tag Archives: scottish landscape paintings

Harris paintings day 9

‘East Coast Road, Harris’. Mixed meda on 9.5×9.5″ wood panel

‘Traigh Luskentir, Harris 2’. Mixed meda on 9.5×9.5″ wood panel

‘Lickisto, Harris’. ‘East Coast Road, Harris’. Mixed meda on 9.5×9.5″ wood panel

Today’s paintings of Harris for upcoming exhibiton at the Whitespace Gallery from 14th to 20th July.

There will also be a preview event on Friday 14th July with a live cello performance by Atzi Muramatsu in reponse to the themes and paintings of the exhibition. If you’ve followed this blog for a while you’ll know that Atzi is a friend and collaborator I’ve worked with since about 2013.

In 2016 he won the Best Composer Award at the BAFTA Scotland New Talent Awards for his work on a short film ‘The Violinist’.

Below are a few short video examples of work we’ve done together, including – Sea, space and sky a short video created last year following a trip to the west coast of Scotland – Achiltibuie then Lewis and Harris in the Hebrides. The film features a poem by Lewis-based poet Ian Stephen (read by Ian Stephen), and several new poems written by another friend and collaborator, Louise Palfreyman. Also below, from an earlier collaboraton on the Isle of Eigg, a performance of Atzi’s work in progress for string quartet; Gaea Metempsychosis

 

Harris paintings day 4

Ceapabhal Peninsula, Isle of Harris. Mixed media on 6.5×5″ wood block

Loch near Beacravik, Isle of Harris. Mixed media on 6.5×5″ wood block

Loch Fhleoideabhaigh at Mannish, Harris. Mixed media on 8×5″ wood block

Hills near Beacravik, Isle of Harris. Mixed media on 6.5×5 wood block

Today’s paintings of the Island of Harris, for the upcoming exhibition on the 14th – 20th July at Whitespace Gallery, Edinburgh.

If you like any of these paintings you can reserve and buy them before the exhibition. If any sell before exhibition they’ll have a red ‘sale’ dot next to them, then they’ll be posted to you the day after the exhibition ends (July 21st). You are welcome to email me at rose.strang@gmail.com if you have any questions.

Below are all paintings so far (I’ll be painting larger ones at 9 x9 inches soon, and perhaps a few at 15×15 inches).

 

Isle of Harris paintings

 

Hebrides day 6

p1120066A few rough experiments today, of the Harris landscape.

p1120088 p1120086

 

 

 

 

p1120074 p1120071

 

 

 

 

I’m thinking that this subject lends itself to etching though it’s been years since I experimented with that process (image below – my first etching from art college days). I’ll enroll myself on a few classes at Edinburgh’s excellent Printmaker’s Workshop to brush up my skills.

p1120081

 

 

Also, Louise and I were very drawn to the quality of light against rusts and blacks of the landscape, so I might etch on a copper plate, then once I’ve printed from them I’ll use the original plates as part of sculptural works. These might work for the proposal for a funding opportunity that’s come up (organised by An Lanntair, contemporary gallery in Stornaway and Glasgow School of Art) which we’ll apply for alongside various other funding opportunities.

Soon I’ll post some of Louise’s poems. I’ve read one already and it’s beautiful, it seems to glow with colours and atmosphere of the Lewis and Harris landscape.

I’m also working on a small series of our visit to Achiltibuie, but in the meantime I’m awaiting delivery of some lovely new paints to play with!

North Berwick and Pittenweem

'Pittenweem Harbour 3'. Mixed media on 8x8" wood panel

‘Pittenweem Harbour 4’. Mixed media on 8×8″ wood panel

'North Berwick Harbour'. Mixed media on 8x8" wood panel

‘North Berwick Harbour’. Mixed media on 8×8″ wood panel

Detail

Detail

Detail

Detail

Today’s paintings of Pittenweem and North Berwick Harbours, for the upcoming exhibition Harbour on the 3rd June.

Details about the exhibition Here

 

‘Eigg Island’ Trilogy

Rose Strang 'West', 'North' and 'East'

Rose Strang ‘West’, ‘North’ and ‘East’. Mixed media on 40×40″ wood panels

Rose Strang and artworks.(Photography Eleni Laparidou)

Rose Strang and artworks.(Photography Eleni Laparidou)

The trilogy of ‘West’, ‘North’ and ‘East’ were painted over two months as the culmination of a year-long project in response to the Isle of Eigg in the Scottish Hebrides, which included collaborations between myself, composer/cellist Atzi Muramatsu and poet JL Williams

 

 

West – Singing Sands

'West - Singing Sands'. Mixed media on 40x40" redwood panel

‘West – Singing Sands’. Mixed media on 40×40″ redwood panel

West – Singing Sands. Mixed media on 40×40″ wood panel
‘West’ is about imagining an island;  what we project onto an island
in our imagination before arriving. The painting could be viewed as an old map, or a faded
painting of a view across the sea. We bring our own and others’ history to a new place.
‘Singing Sands’ refers to the name of the bay on the west coast of the island,
whose sands are said to ‘sing’ when dry (which intrigued me before I first visited Eigg!).

This painting was a very gradual process of building up then scraping back layers of paint, crackle glaze and varnish.

North – Transmigration

'North - Transmigration'. Mixed media on 40x40" redwood panel

‘North – Transmigration’. Mixed media on 40×40″ redwood panel

North – Transmigration. Mixed media on 40×40″ wood panel
‘North’ is about the reality of nature on a Hebridean island, the toughness,
grittiness of weather and atmosphere – also fear of nature and how
it can feel impersonal. We observe it and wonder if we’re really a
part of it, though of course we are.

North (detail)

North (detail)

The small figure on top of the cliff is Atzi Muramatsu, a composer/cellist who I collaborated with on the project.
Sitting on these cliffs on the north end of the island (as part of a geology tour we joined) he began to compose a piece for string quartet called ‘Gaea Metemphsychosis’.

Metempsychosis is about transmigration of the soul and ‘Gaea’ of course means earth.
His piece was about fossils in these cliffs, formed 47 million years ago, slipping into the sea, also being there in a moment of time and the fact that we too eventually become part of the landscape again.

This is a very free-style painting, the basic composition was over-laid with washes and splashes of salt, glaze and paint to build atmosphere, before finally adding the figure.

East – Harbour

'East - Harbour'. Mixed media on 40x40" redwood panel

‘East – Harbour’. Mixed media on 40×40″ redwood panel

East – Harbour. Mixed media on 40×40″ wood panel
‘East’ is a view of the harbour bay from the island, looking out to
sea. There is the sense of a haven, which has a lot to
do with people met there, but also the fact of physically having being on
most parts of the island. You find your place, then leaving to
return to the mainland brings mixed feelings. Islands can seem an oasis from
a troubled world, which is no doubt why religious or spiritual centres are often
founded on islands.

East (detail)

East (detail)

The painting process was in itself very peaceful; simple layering of colours and glazes, allowing drips to form, then adding the small boat.

 

 

 

After the exhibition launch I’ll be sure to post videos/photos of JL Williams and Atzi Muramatsu’s performances, which I’m really looking forward to seeing next Thursday!